Every writer has their own path to publication. Some paths are long and winding. Others are a straight shot. No matter the tale, the journey always involves ups and downs, caution signs, and for some, serious roundabouts, but what always remains is the writer’s commitment to their craft and their enduring dream to see their work on bookshelves one day.
In bringing you the W.O.W. series, I hope as a writer you will learn that no dream is unfounded. That with time, patience, perseverance, and commitment to your craft, it is possible to cross that finish line and share your story with the world.
Today, I am pleased to share Tracey Neithercott’s writing journey…
Amy: When did you first begin seriously writing with the intent of wanting to be published?
Tracey: About the time my parents shot down my acting dream (“You want to end up a drug addict?”), I realized I wanted to write for publication. Journalism seemed like the best way to do that because A) I enjoyed it and B) I’d gotten it into my head that only the special people wrote books. Like, people with talent handed down from the gods or something. I was well into my career as a magazine editor and writer when I dared to give fiction writing a go.
Amy: How many completed YA manuscripts did you query before one garnered interest?
Tracey: Two. I’m one of those people who collects piles of information before she ever makes a move, so before querying my first novel, ALIVE, I read just about everything the Internet had to say about publishing and querying.
(That’s a lie. If I did that, I would never have finished my book.)
I queried that book and got a surprisingly great response considering what I now think of it. But while I was querying those agents, I was also writing. By the time I’d sent out 10 queries for ALIVE, I’d fallen in love with THE MURDER MYTH. So I stopped querying ALIVE and finished THE MURDER MYTH. That’s the one that landed me my agent, Sarah LaPolla.
Amy: How laborious/frustrating was the query process for you?
Tracey: It was … not the most fun process. I developed a somewhat disturbing dependence on my Agents list on Twitter. It wasn’t pretty.
That said, what got me through it was focusing on my next WIP. A week after sending a query, I was able close my mind to the old book and focus on the new. The key is to always keep looking forward. So when it’s time to shelve a book, you have a brand spankin’ new one that you’re even more excited about.
Amy: From beginning (first draft) to end (signing contract), how long was the process of getting a deal for GRAY WOLF ISLAND?
Tracey: A little over a year. I started writing GRAY WOLF ISLAND when I was querying THE MURDER MYTH. It was an agonizing first draft. I think it took me about 20 billion times longer to write GRAY WOLF ISLAND than either of my previous two books.
I was still writing GRAY WOLF ISLAND when I signed with my agent (because for a while there I was never not writing GRAY WOLF ISLAND). I was still writing GRAY WOLF ISLAND when I went on submission with THE MURDER MYTH. If my life were a movie, there would’ve been a really fun montage with uplifting music at this point.
About the time my agent brought up doing a second round of submissions for THE MURDER MYTH, I finished my first draft of GRAY WOLF ISLAND. I knew two things: 1) I was by far the slowest writer in the universe and 2) this was a million times better than THE MURDER MYTH.
So I decided not to do another round of submissions. (Title of my memoir: Am I a Quitter or Do I Just Follow My Gut?) Instead, I revised GRAY WOLF ISLAND, which was a surprisingly quick process. I did another quick round of revisions with Sarah before we went on submission with it.
That was January 2016. By early March, I had an offer. It was shocking how fast it all happened once the book was written. (Also, in case you’re curious: In the time it took me to write the book, I revised it twice, sold it, signed my contract, and even received my edit letter from my editor.)
Amy: What one thing are you looking forward to most as a debut author?
Tracey: Hearing from a reader who loved by my book. At least, I’m really, really hoping that happens!
Amy: What was your “call” like with Sarah LaPolla? How did you know she was the right agent for you?
Tracey: Oh goodness—it’s mostly a blur. I think I spent the entire call only partially listening to her because the rest of me was in full-on freakout mode.
What I loved about Sarah from the start was that she believes in my writing. She liked it with the first manuscript I sent her, even if the book on a whole wasn’t a good fit. I immediately got the sense that regardless of what I wrote next, she’d champion it.
Our working styles also really clicked. I prefer email (much to my mother’s disappointment), and Sarah mentioned that email was her preference, too. That said, she’s super open to chatting on the phone when we need to discuss an idea or my revisions.
Amy: What one piece of writing advice did you receive early on in your career that you still use today?
Tracey: Here’s a crazy concept I learned just before I wrote my first story: Unwritten novels don’t sell. I mean, I suppose they do if you’re J.K. Rowling. But the rest of us actually need to write the book first. As someone who really struggles with fear while drafting (My characters are flat! My plot is missing! My idea is the worst of the worst!), I’m constantly reminding myself that there’s nothing to a book without words on the page.
Tracey Neithercott’s first book was written by hand and illustrated with some really fancy colored pencils. It was highly acclaimed by her mother. Now, she writes YA stories of friendship, love, murder, and magic. (None of which she illustrates—you’re welcome.) She lives in Massachusetts with her husband, who suggests improving her novels by adding Star Wars characters.
She is the author of GRAY WOLF ISLAND (Knopf, Fall 2017), a YA novel about the truth, a treasure, and five teens searching for both. For more on Tracey, head to her website, or follow her on Twitter, Instagram, Goodreads, and Facebook.