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W.O.W. – Writer Odyssey Wednesday with Jen McConnel October 29, 2014

WOW

 

 

 

Persistence. It is the driving force that pushes many writers on, urging them to send one more query or write that next manuscript. In today’s W.O.W., Jen McConnel talks about how each “no” she received drove her to work her harder and fight for the ever elusive “yes” in publishing. It is that persistence that has brought Jen success and allowed her to have three novels published in the last two years!

 

Many thanks to Jen for sharing her writing odyssey…

 

 

Amy: When did you first know you wanted to be a writer?

 

Jen: I’ve been writing as long as I can remember! The first “novel” I remember attempting to write, however, was (get this!) a sequel to the sequel to GONE WITH THE WIND. I filled a lined notebook with my version of what happened next, and I had grand dreams of publication, even in middle school (yes, I read GWTW when I was way too young to understand it the first time!). It didn’t occur to me that I’d basically written fan fiction until years later.

 

 

Amy: You write both Young Adult and New Adult fiction. Do you prefer one over the other?

 

Jen: They’re both my babies, but there are things I enjoy about each. I love the YA voice, and maybe it’s just that I’m in touch with my inner teen, but I find YA characters easy to slip into. With NA, I enjoy the breadth of “what next” topics that exist in our twenties; I’ve written about love, travel, lies, betrayal, and work, and I’ve barely scratched the surface of what makes the New Adult experience so rich.

 

 

Amy: How many manuscripts had you completed prior to DAUGHTER OF CHAOS?

 

Jen: Let me see; there are three in a drawer that will never see the light of day, plus ISOBEL, so that makes DAUGHTER my fifth completed manuscript. I finished the first draft in 2011, and it came out this year. SO exciting to see this book on bookstore shelves!

 

 

Amy: You’ve had many jobs that involved books in one way or the other (middle school teacher, librarian, bookseller). How do you think those experiences affected your approach to writing?

 

Jen: I’m a writer because I’m a reader, and I think my reader-self has a lot of influence in my career choices. In one way or another, my work has revolved around promoting literacy and encouraging joy in reading, and I think that’s really what makes me want to write; I love getting lost in a good story, and I hope I can tell stories that someone can inhabit in the same way! I’d also say teaching both middle school and college have helped sharpen my narrative voice (and are probably why I gravitate toward either YA or NA, come to think of it!)

 

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Amy: As many writers know the publishing world is very hard to break into. What was the one thing you did to help garner attention for your books?

 

Jen: I think the biggest thing that’s helped me is persistence. Maybe it was my experience in retail in college, but I’m dogged in pursuit of the things I want, and I firmly believe that each “no” you hear brings you one step closer to “yes”; you won’t get your book accepted (or that review request acknowledged, or the blurb request completed, or invited to speak at a school, or…) if you aren’t willing to keep asking. Rejection happens at every level of the publishing process, but I try to remember that every time I hear “no”, it means I’m increasing my chances of hearing that magical “yes”. Persistence pays off!

 

 

Amy: What advice did you get early on in your writing career that you still use today?

 

Jen: Keep writing. I don’t remember which teacher first told me that, but it’s my mantra. I wrote all the time as a kid, but I stopped in high school and college; I missed it, but I didn’t think I was good enough to be a “real” writer. But here’s a secret: you are a writer as soon as you say you are, but you have to keep writing. Even if it’s only ten minutes every day, even if you get bogged down with rejections or negativity, keep writing. Writing is more than telling stories for me; it’s a source of sanity.

 

 

 

Daughter of Chaos

 

 

 

Witches must choose the path they will follow, and Darlena Agara is no exception. She’s been putting it off long enough, and in her case, ignoring it has not made it go away. In a moment of frustration, Darlena chooses to follow Red Magic, figuring she had outsmarted the powers that be, since there’s no such thing as Red Magic. But alas, Darlena’s wrong (again) and she becomes a newly declared Red Witch.

 

Her friends are shocked and her parents horrified by the choice Darlena has made. As a Red Witch, she now governs one third of the world’s chaos. She is the walking personification of pandemonium, turmoil, and bedlam, just as the patrons of Red Magic would have it to be.

 

But Darlena believes there must be more to Red Magic than chaos and destruction, and she sets out on a journey to achieve balance. Only doing so puts her at odds with the dark goddess Hecate, who simply will not allow Darlena to quit. She encourages Darlena to embrace who and what she is and to leave good magic to the good witches. If only Darlena could, life would be simple, and she would not be the Daughter of Chaos.

 

 

 

 

Iso Key

 

 

 

Lou is in the middle of a quarter-life crisis. Fresh out of college, she’s unemployed and unsure of herself. But when she gets the chance to escape to Scotland with her best friend, it could be the answer to her quest for self-discovery. The trip is not at all what she expected, especially when her tour guide turns out to be the dreamy historian Brian, and together they embark on a hunt for information about Isobel Key, a woman accused of witchcraft in the seventeenth century.

 

They set out to learn the truth of the condemned witch, but Lou isn’t prepared for the knowledge that awaits her. She must face her own demons if she has any hope of righting the wrongs of the past.

 

Flashing between seventeenth century Scotland and a contemporary romance, THE SECRET OF ISOBEL KEY is a mystery that will please readers of all ages.

 

 

 

 

 

Secret Inheritance

 

 

 

 

Five years ago, an impulsive trip to Scotland changed her life. Now Lou is back in the misty, magical country. But this time, she’s not on vacation.

 

When Brian, her old Highland fling, turns up at the scene of some depressing family business, tension mounts between the former lovers. But dealing with him is only part of the problem; something wicked is stirring in Scotland. Lou must use all her strength to handle the increasingly desperate situation, but will she be strong enough to battle both a vengeful ghost and her heart?

 

Lou may have thought that she was finished with the witch Isobel Key, but some secrets can’t stay buried forever.

 

 

 

Jen McConnel

Jen McConnel first began writing poetry as a child. A Michigander by birth, she now lives and writes in the beautiful state of North Carolina. A graduate of Western Michigan University, she also holds a MS in Library Science from Clarion University of Pennsylvania. When she isn’t crafting worlds of fiction, she teaches college writing composition and yoga. Once upon a time, she was a middle school teacher, a librarian, and a bookseller, but those are stories for another time. Her fiction titles include DAUGHTER OF CHAOS (YA), THE SECRET OF ISOBEL KEY (NA), and the recently released sequel, HER SECRET INHERITANCE. Visit http://www.jenmcconnel.com  to learn more or connect with her on Twitter, Facebook, or Pinterest.

 

MONDAY MUSINGS: WHERE’S THE MAGIC? October 27, 2014

Filed under: Blog,Inspiration,Publishing,writing craft — chasingthecrazies @ 9:38 am
Tags: , , ,

Sherlock gif

 

 

 

There’s nothing like the exhilaration of typing “The End” on your story. It’s an incredible feeling of accomplishment that makes you want to shout from the rooftops, “I wrote an entire book!!” That elation can put you in a powerful place for a while but then the inevitable happens – you have to start a new book.

 

For most people, opening a Word document is not a terrifying act. But for writers it can be a heart-pounding, nausea-inducing event. Why? Because there’s nothing more frightening than looking at a blank document and wondering if the writing “magic” will return. If your muse will  grant you the grace to craft another manuscript, or if the evil turd known as “writer’s block” will take hold and make the process grueling.

 

A couple of weeks ago I let that little devil known as doubt sink into my head. The black cursor blinked at me from the top of the page one, mocking me to try again. See if I could make the “magic” of creating a story happen for another time. For an hour I paced around my office looking at my notes plastered all over the wall, wondering whether this new idea was solid enough to work.

 

If you’ve experienced any of this, you’re not alone. I believe everyone has serious misgivings when they start a new story. If they didn’t, I’d wonder where they got their confidence and beg them to send some my way. The key for me is to channel that doubt and fear and use them to drive me to put words on the page. Stand up to the worry that this manuscript won’t be as solid as the last, and type one word after the other until I feel things flow.

 

What I’ve learned over time is there will always be the fear your next story won’t be as good as the last, but you’ll never know if you don’t try. So write one sentence, and then another. Don’t look back. Don’t fret. Simply tell the tale inside you. It may not be pretty at first, but they are words on the page and that puts you one step closer to feeling that magic again.

 

What about you? Do you have ways to pump yourself up before you write a new story? Do you build a Pinterest board or create a playlist? I’d love to hear about it in the comments.

 

 

 

First Five Frenzy with Amanda Panitch of Lippincott Massie McQuilkin Literary October 24, 2014

FFF SideWords

 

 

 

If you’re like me, you toil for hours editing and fine-tuning the first pages of your manuscript. You look at the first lines to make sure they are compelling and tight.  You examine the next few paragraphs, hoping your MC’s voice is already taking hold of the reader.

 

The First Five Frenzy is all about getting an agent’s perspective on what works, and what fails, in those first pages of a manuscript. By reading each agent’s comments, I hope you’ll learn how to make your manuscript a shining gem that will be requested time and time again.

 

Today, I am proud to share Literary Agent, Amanda Panitch’s perspective on what’s important in those critical first pages.

 

 

 

Amy: Many writers have the impression that a great first line is imperative to drawing in the reader. How important is a first line to you as an agent?

 

Amanda: A strong first line is important, but so is the second line, and the third line, and et cetera. It’s great to be grabbed right away, but a strong first line means nothing if the strong writing isn’t sustained throughout the pages that follow.

 

 

Amy: Many times a writer is told to stay away from common openings like dreams, eating breakfast, riding in a car, etc. What are some common openings you recommend writers stay away from?

 

Amanda: I receive a lot of submissions with prologues, and while of course there are always exceptions where the prologue is well-written and central to the story, a lot of times I come away feeling like the prologue is there solely to generate some tension before switching gears and dropping us into the protagonist’s mundane life. I find myself skipping prologues most of the time. If your opening is such that you feel you need a prologue to hook the reader, you might want to consider starting your story at a different point.

 

 

Amy: When you’ve responded to a writer to request a partial or full manuscript, what was it about their first pages that piqued your interest?

 

Amanda: It’s usually a combination of a great voice, a great concept, and a sense of propulsion. There’s a common bit of advice that writers should start their manuscripts with action, so I see a lot of chases, murders, car crashes, etc, which can be disorienting, as you don’t yet feel connected to the main character. I feel like a better word for action in this case might be change – so you would want to start your manuscript with something changing or something happening that’s out of the ordinary or unexpected. Those are the types of openings that tend to draw me in – ones where a character is undergoing some sort of upheaval.

 

 

Amy: What are some common mistakes writers make in their first five pages?

 

Amanda: Things in those first five pages that tend to push me towards a pass are too much telling (over showing) and large info-dumps. We don’t have to know everything right away – as long as I have enough grounding to understand what’s going on, it’s okay if I don’t learn every last thing about your protagonist or their world in the first few pages.

 

 

Amy: What resonates with you most in those first pages? Voice? Pacing? Unique concept?

 

Amanda: All three! If I had to pick one, though, I’d have to say I look for voice above all. I can work with the other two, but I can’t really help an author create voice. That’s why I always check out the pages that come with a query (and why sending that writing sample is so important if you’re querying me) – sometimes I won’t be grabbed by a query or I’ll find the plot description a bit lackluster, but the voice in the pages will be so strong I’ll want to keep reading anyway.

 

 

Amanda Panitch is an associate agent at Lippincott Massie McQuilkin (www.lmqlit.com). Before joining LMQ in 2012, she interned at Writers House and attended the George Washington University and the NYU Summer Publishing Institute. A writer herself, her first novel, Damage Done, will be released in July 2015 from Random House Books for Young Readers. She is actively looking for young adult and middle grade fiction and nonfiction across all genres.

 

She’d especially love to find a high fantasy set in a non-Western inspired setting, a dark psychological thriller, a quirky mystery, a gorgeous literary contemporary, historical fiction set in a place or time that isn’t often explored in fiction, or anything that features food as a main element. Other things that call to her are generational spaceships, unreliable narrators, magical realism, the pre-Columbian Americas, the Amazon, close sibling relationships, and slow-burning romances. You can follow her on Twitter @AmandaPanitch

 

If you’re interested in submitting to Amanda, please check the Lippincott Massie McQuilkin website for their guidelines.

 

 

FIRST FIVE FRENZY with Cate Hart of Corvisiero Literary Agency October 10, 2014

FFF SideWords

 

 

If you’re like me, you toil for hours editing and fine-tuning the first pages of your manuscript. You look at the first lines to make sure they are compelling and tight.  You examine the next few paragraphs, hoping your MC’s voice is already taking hold of the reader.

 

The First Five Frenzy is all about getting an agent’s perspective on what works, and what fails, in those first pages of a manuscript. By reading each agent’s comments, I hope you’ll learn how to make your manuscript a shining gem that will be requested time and time again.

 

Today, I am proud to share Literary Agent, Cate Hart’s perspective on what’s important in those critical first pages.

 

 

 

Many writers have the impression that a great first line is imperative to drawing in the reader. How important is a first line to you as an agent?

 

I think that first line really is crucial. I can tell an author has really put in the time and revisions when a first line really grabs me.

 

 

 

Many times a writer is told to stay away from common openings like dreams, eating breakfast, riding in a car, etc. What are some common openings you recommend writers stay away from?

 

Arriving at a new destination, new school, new home. Dropping into the scene or the middle of an intense action sequence before I have a chance to get to know who the main character is.

 

 

 

When you’ve responded to a writer to request a partial or full manuscript, what was it about their first pages that piqued your interest?

 

I think the voice most of all, because I’ve found pages that normally wouldn’t be in my usual genres, but something about the voice hooked me. I also think that those first pages have set up questions I’m dying to find answers to, or set up a unique story I’m curious to see develop.

 

 

 

What are some common mistakes writers make in their first five pages?

 

Too much exposition, or information, or backstory. On the opposite end, too much dialogue with little setting or internal thoughts to help me feel immersed in the world. The voice or the narration is not suited for the story or the genre.

 

 

 

What resonates with you most in those first pages? Voice? Pacing? Unique concept?

 

I think first it’s a unique concept. I really have to fall in love with the story and have a clear idea of where I can place the story in the market. Second is the voice. A clever concept can fall flat if the voice isn’t well developed. Most times, I think pacing is something that can be worked with in revisions if the premise and the voice are strong enough.

 

 

 

Cate Hart is a Junior Agent at Corvisiero Literary Agency, where she started as an intern working closely with Marisa Corvisiero and Saritza Hernandez. A Tennessee native, Cate earned her B.F.A. from the University of Tennessee. Before joining Corvisiero Literary Agency, Cate worked in financial management.

 

Cate is seeking Young Adult and Middle Grade, New Adult and Adult Romance (specifically Historical Romance), and select erotica and LGBT. She is a fan of quirky, character-driven Young Adult, and snort-out-loud Middle Grade adventure. She loves Historical and Fantasy and would like to find a steampunk that explores new settings and ideas beyond Victorian London. She is also interested in magical realism, high fantasy, mystery, and any combination of the above.

 

If you’re interested in submitting to Cate, please check the Corvisiero Literary Agency website for their guidelines.

 

W.O.W. – Writer Odyssey Wednesday with Lia Riley October 8, 2014

WOW

 

 

Some days you pick up a book and you know it’s going to be special. The story, the characters, literally everything about it is like a breath of fresh air. That’s how I felt after reading UPSIDE DOWN, Lia Riley’s debut novel in her OFF THE MAP series. From the first chapters I became a huge fan of Bran and Talia, and I knew instantly after I turned the last page I wanted to ask Lia to share her writing journey.

 

What I love most about this interview is Lia’s passion for New Adult, and how she relies on her CPs to help her through certain rough patches in her writing. It proves that with a solid manuscript, a good sounding board, and reliable writing friends you can produce an amazing book!

 

Many thanks to Lia for sharing her writing odyssey today…

 

 

What inspires you to write New Adult fiction?

 

Great question! I really feel like I “found” my voice in New Adult. My own New Adult years (and choices) shaped my life in profound ways and it’s been cathartic to go back and wrestle with some of those situations. This is a period when idealism and cynicism do battle, hearts are won and lost, we take risks and struggle with our identity and place in the world. I’m not sure how to say this without sounding all pretentious and grandiose, but New Adult has taught me that I’m far more of a character-driven writer and that’s a lesson that will impact all my future writing.

 

 

How many completed manuscripts did you query before one garnered interest?

 

I got my agent with my first completed manuscript, a historical romance. However, that book took me nearly two years (and many, many complete rewrites) before I began the query process. 

 

 

I love that UPSIDE DOWN takes place in Australia. How did you know you wanted it to be the setting for your book?

 

Well, first and foremost, I love Australians. I mean that quite literally. I married one–the perfect souvenir from my own Down Under travels! Generally speaking, Australians excel at dry wit and have one heck of an anti-authoritarian streak. To me, nothing is sexier than a sense of humor, and when the guy making the jokes has a hot accent and cheeky grin? Heck yes!

 

Secondly, to say that Australia’s landscape is dramatic is an understatement. The continent’s isolation has spawned animal, plant and human diversity that are like nowhere else on the planet. Even a brief wander into the wilderness yields a bone-deep sense that you are in an ancient place.

 

This is a country of extremes. When it’s hot, it’s boiling. When animals are poisonous, it means they can kill you with one bite. When there’s a storm rolling in from the Southern Ocean? Those waves are going to be huge. When you fall in love in such a place, buckle up–the ride’s going to be intense.

 

My agent and I chatted about New Adult last June and I shared my surprise there were so few study-abroad stories. She suggested I try one. So I did. I named my H/H Violet and Dylan, and developed a whole backstory. Luckily, Talia and Bran intervened, looked over what I was doing and said DUDE, GET OUT OF THE WAY. Turns out they were way smarter than me.

 

I cobbled together a synopsis and three chapters and my agent freaked, in a good way. In early August, she rang with the news Grand Central/Forever wanted to offer. I was visiting my parents in Michigan and after the call jumped into the lake with all my clothes on.

 

This isn’t my personal story fictionalized, but I have visited almost all the book settings. Also, I have struggled with OCD/Anxiety since a kid and Talia faces similar challenges.

 

 

Did your query for UPSIDE DOWN come easily or did it go through many drafts?

 

I wrote the synopsis for Upside Down in 3-4 days and the initial draft in around six weeks. I then edited the book for about eight weeks. This seems more or less the way I roll now, write fast, edit slow!

 

 

Did you have critique partners for UPSIDE DOWN? If so, how critical were they to your writing process?

 

Yes, I had critique partners for Upside Down but wrote much of the book in a bubble. For Sideswiped (Book #2 in the Off the Map series) and Inside Out (Book #3), I became heavily reliant on two critique partners who were invested in the characters and the story. When I got stuck in the second and third books, they threw me lifelines and helped pull me to psychological safety. They are my everything! At this point, I tend to write in “acts” (Act 1, 2 and 3–like a play) and edit each Act before moving forward. My CP’s read while I move onto the next part. Although, with this newest manuscript, I’ve gone underground and they might not see it until I’m done (giggles evilly).

 

 

How many agents did you query for UPSIDE DOWN? Did you receive immediate responses, or did you have to wait a while for replies?

 

I didn’t query for Upside Down. In January 2013, I started to seriously shop a historical romance, the first book I’d ever written. Within a few weeks, I had quite a few full requests, and soon multiple offers. From the start of serious querying to signing with Emily Sylvan Kim at Prospect Agency, the process took four weeks. I submitted to around twenty-five agents, had twelve full requests and four offers.

 

 

Can you give a short summary of your call with your agent, Emily Sylvan Kim? How did you know she was a good fit for you?

 

Emily and I have a fabulous relationship (I heart her so much) and we’ve laughed over the strange start to our relationship. I was querying the historical romance, and received multiple offers of representation. I’d made a decision on another agent about an hour before Emily called, at the 11th hour. She had only read the first 40% of the manuscript and was walking to a meeting in New York. We spoke on the phone for about ten minutes (at least fifty minutes shorter than I’d talked to any other agent). She was like “this is a total impulse offer.” That night, I decided to sleep on it, and who I felt best about in the morning, would be my choice. I woke, thought “Emily” and the rest is history. Yay impulses! Important factors that played into my decision were 1) She was kind and forthright 2) She had a relationship with houses I wanted to work with 3) She represented authors that I admire/fangirl over. I’m so glad I went with my gut.

 

 

Was there ever a time you thought about giving up on your writing dream? If so, what motivated you to keep writing?

 

When I first started, writing didn’t feel “real.” I’d sit at the computer and do a lot of negative self-talk. I’d tried NaNaWriMo a few times and never gotten very far. Self-doubt whispered, “Why will this time be any different?”. At first, my goal wasn’t publication, but “write a shitty ass first draft.” And I did. I was so happy and proud of myself when I finished. Then I did a read through and thought “holy monkey, girlfriend, you have some WORK to do.” During the next year, I joined RWA, met writer friends, went to an RWA National Conference and became hooked. There are still days when I feel like a fraud. Writing can be sucky, lonely, frustrating work. However, even at it’s worse, it’s the absolute best. I’m an addict at this point.

 

 

 

Upside Down

 

 

 

If You Never Get Lost, You’ll Never Be Found

 

Twenty-one-year-old Natalia Stolfi is saying good-bye to the past-and turning her life upside down with a trip to the land down under. For the next six months, she’ll act like a carefree exchange student, not a girl sinking under the weight of painful memories. Everything is going according to plan until she meets a brooding surfer with hypnotic green eyes and the troubling ability to see straight through her act.

 

Bran Lockhart is having the worst year on record. After the girl of his dreams turned into a nightmare, he moved back home to Melbourne to piece his life together. Yet no amount of disappointment could blind him to the pretty California girl who gets past all his defenses. He’s never wanted anyone the way he wants Talia. But when Bran gets a stark reminder of why he stopped believing in love, he and Talia must decide if what they have is once in a lifetime . . . or if they were meant to live a world apart.

 

Available now via Amazon, and Barnes and Noble.

 

 

And here’s the latest release in Lia’s OFF THE MAP series:

 

 

Sideswiped

 

 

 

It was only meant to last the summer . . .

 

Talia Stolfi has seen more than her share of loss in her twenty-one years. But then fate brought her Bran Lockhart, and her dark world was suddenly and spectacularly illuminated. So if being with Bran means leaving her colorless NorCal life for rugged and wild Australia, then that’s what she’ll do. But as much as Talia longs to give herself over completely to a new beginning, the fears of her past are still lurking in the shadows.

 

Bran Lockhart knows that living without the beautiful girl who stole his heart will be torment, so he’ll take whatever time with her he can. But even though she has packed up her life in California and is back in his arms for the time being, she can’t stay forever. And the remaining time they have together is ticking by way too fast. Though fate seems determined to tear them apart, they won’t give up without a fight—because while time may have limits, their love is infinite.

 

Also available via Amazon.

 

 

 

Lia RileyLia Riley writes offbeat New Adult Romance. After studying at the University of Montana-Missoula, she scoured the world armed only with a backpack, overconfidence and a terrible sense of direction. She counts shooting vodka with a Ukranian mechanic in Antarctica, sipping yerba mate with gauchos in Chile and swilling XXXX with stationhands in Outback Australia among her accomplishments.

 

When not torturing heroes (because c’mon, who doesn’t love a good tortured hero?), Lia herds unruly chickens, camps, beach combs, daydreams about as-of-yet unwritten books, wades through a mile-high TBR pile and schemes yet another trip. She and her family live mostly in Northern California. For more on Lia, check out her website, or follow her on Facebook, Twitter, Tumblr or Pinterest.

 

 

 

 

 

 

W.O.W. – Writer Odyssey Wednesday with N.K. Traver September 24, 2014

WOW

 

 

“I want to give up.” It’s an easy thing to say after getting a mounting pile of rejections. But for some people the rejections make them stronger. Make them fight harder for what they want. That is the case with today’s featured author N.K. Traver. As she shares in her own words, a rejection “felt like a personal blow, like saying no to my idea meant I wasn’t cut out to be a writer.” But as her journey shows, N.K. used those negative responses to push herself. She learned about the craft and became a better writer which resulted in connecting with her agent and the eventual sale of her debut, DUPLICITY.

 

Many thanks to N.K. for sharing her inspiring writing odyssey today…

 

 

Amy: What inspires you to write Young Adult Fiction?

 

N.K.: Honestly, I really miss the days before jobs and bills, when family and relationships came first. I love reliving the drama and the thrill of those days.

 

 

Amy: How many manuscripts had you completed prior to DUPLICITY?

 

N.K.: Two. A YA fantasy and its sequel.

 

 

Amy: If you had preliminary rejections, how did you deal with that process and continue to write?

 

N.K.: They say “the first cut is the deepest,” and I think that’s so true. The first rejection I ever received, for that YA fantasy referenced above, basically brought me to tears. It felt like a personal blow, like saying no to my idea meant I wasn’t cut out to be a writer. It’s all I could think about the rest of the day. I’d poured my heart into that book. I’d even edited it. Like, twice. Couldn’t the agent see my abounding potential?? But the rejection was also a challenge. It made me face the harsh reality that maybe I still had some things to learn, and if I wanted this, I was going to have to work harder. It drove me to improve. Thanks to my rejections, I signed up for a local writers’ conference and a course on how to get published, and joined an online forum where I could swap work with other writers. The encouragement and enthusiasm of the people I met kept me going.

 

 

Amy: How long did it take you to write the query for DUPLICITY? Did it go through many drafts?

 

N.K.: Ahhh not the “q” word! Some people have a natural talent for writing queries … I have a natural aversion. I want to say it took me at least a month or two to get the query for Duplicity down, including back-and-forths with critique partners. I think it went through at least 5 different versions and a hundred million tweaks?

 

 

Amy: How many agents did you query for DUPLICITY?

 

N.K.: 10. But I want to add to that–Duplicity was a much different experience from my first manuscript. I queried over 80 agents on my YA fantasy with very few requests to show for it. With Duplicity, I sent out a cautious batch of 10 queries … that all came back as rejections. So I stopped, took a harder look at my first page, and rewrote the first chapter until my fingers bled. Then I entered it into two online pitch contests, intending to query afterward if I made the cut for one of them, except I made the cut for both! Suddenly I had 11 requests for pages from the contest agents.

 

I think that’s a really long way of saying 21.

 

 

Amy: Did you receive instantaneous response or did you have to wait for requests/rejections?

 

 

N.K.: It varied from agent to agent. I heard back anywhere from 2 days to 8 weeks.

 

 

 

Amy: What was your “call” like with your agent, Brianne Johnson? How did you know she was a good fit for you?

 

 

N.K.: It was like flying to the moon and discovering they have plants made of cookie dough. Bri was so enthusiastic about my work and had some great ideas for revisions. One thing that struck me was her interest in my career beyond Duplicity, and I liked that she was going into our potential partnership for the long term. Really I could go on for pages, but it comes down to 1) Her incredible professionalism 2) Her amazing publishing connections 3) That I felt entirely comfortable with her and her direction for the book.

 

 

Amy: Was there ever a time you thought about giving up on your writing dream? If so, what motivated you to keep writing?

 

 

N.K.: Yes. After I’d sent those 10 queries for Duplicity and received rejections on all of them, I was devastated. I had so wanted my experience with Duplicity to be different than my first book. I had learned so much since then, both about the publishing world and writing. I had edited and polished and edited and polished some more, and my excited, encouraging critique partners had raved that this could be “the one.” So it really hurt to feel like I’d come so much farther only to get the same results. I didn’t think I would ever be good enough to get published. But it’s writing. It’s what I’ll always be doing, with or without a book deal. So just like I had to with those first rejections, and all the rejections after–I picked myself up, and I tried again.

 

 

 

Amy: What advice did you get early on in your writing career that you still use today?

 

 

N.K.: An editor friend of mine told me writing is a marathon, not a sprint. I’ve found that to be true in learning the craft, getting an agent, getting a book published, and even in drafting a new manuscript. I think it goes hand-in-hand with one of my favorite quotes from Earl Nightingale: “Never give up on a dream just because of the time it will take to accomplish it. The time will pass anyway.”

 

 

 

 

Duplicity

 

(Releases March 17, 2015)

 

 

In private, seventeen-year-old Brandon hacks bank accounts for thousands of dollars just for the hell of it. In public, he looks like any other tattooed bad boy with a fast car and devil-may-care attitude. He should know: he’s worked hard to maintain that façade. With inattentive parents who move cities every couple of years, he’s learned not to get tangled up in things like friends and relationships. So he’ll just keep on living like a machine, all gears and wires.


Then two things come along to shatter his carefully-built image: Emma, the kind, preppy girl who insists on looking beneath the surface – and the small matter of a mirror reflection that starts moving by itself. Not only does Brandon’s reflection have a mind of its own, but it seems to be grooming him for something – washing the dye from his hair, yanking out his piercings, swapping his black shirts for … pastels. Changes he can’t explain to his classmates, who think he’s having an identity crisis, and certainly not to nosy Emma, who thinks this is his backward apology for telling her to get lost. Then Brandon’s reflection tells him: it thinks it can live his life better, and it’s preparing to trade places.


And when it pulls Brandon through the looking-glass, not only will he need all his ill-gotten hacking skills to escape, but he’s going to have to face some hard truths about who he’s become. Otherwise he’s going to be stuck in a digital hell until he’s old and gray, and Emma and his parents won’t even know he’s gone
.

 

 

N.K.TraverAs a freshman at the University of Colorado, N.K. TRAVER decided to pursue Information Technology because classmates said “no one could make a living” with an English degree. It wasn’t too many years later she realized it didn’t matter what the job paid—nothing would ever be as fulfilling as writing. Programmer by day, writer by night, it was only a matter of time before the two overlapped. For more on N.K., check out her website, get info at Goodreads, or follow her on Twitter.

 

MONDAY MUSINGS: EVERY WORD COUNTS September 22, 2014

Filed under: Blog,Publishing,writing,writing craft — chasingthecrazies @ 4:23 pm
Tags: , ,

Tina gif

 

 

 

On Twitter every day I watch people setting goals for word counts and then racing toward those goals like a fiend. These writers inspire and encourage me to set my own goals. Some days it’s 500 words. Others it may be 1k. Do I fulfill those goals every day? Not always and here is the reason: sometimes the creativity just isn’t there. I can get all set up at the computer with my outline ready to go, but the words are a no show.

 

It’s easy to beat yourself up when this happens. Worry that perhaps your writing mojo is taking a permanent vacation. That’s all very normal. But here’s what I’ve learned over the years – any words at all is a victory. You got in a great sentence today. Rejoice! 400 words just flowed out of you. Fantastic! Being able to create something from nothing is an accomplishment. Something we should celebrate.

 

Do you know how many people in this world would love to be able to create a beautiful sentence? Put together a series of paragraphs that can transport someone to another world? The answer is A LOT of people and for that reason alone writers are incredibly lucky souls.

 

I think we forget how lucky we are to have the gift of creativity. To take a blank piece of paper and minutes, hours, days, even years later, write something so amazing it makes people laugh, cheer, or even weep. It’s truly a blessing to be able to produce something original and unique.

 

Maybe that creativity won’t appear today. Or it will only come in the form of 200 words. In my opinion, that is an accomplishment because those words will multiply over time and become a gift to a reader one day.

 

So look at those goals. Shoot for major words each day, but don’t beat yourself up if they don’t come. Remember the story is inside you, it just may take a while for it to bubble to the surface.

 

 

 
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