chasingthecrazies

Just another WordPress.com site

W.O.W. – Writer Odyssey Wednesday with Christina Lee July 30, 2014

WOW

 

 

I was lucky enough to meet today’s featured writer, Christina Lee, at the Romantic Time (RT) Convention in May of this year. What struck me most about Christina was her kindness (especially when I peppered her with all sorts of writing questions) but also her honesty in sharing the ups and downs of publishing. I was already a huge fan of her books when I met her, but I think my adoration for her as grown even more with this interview!

 

Many thanks to Christina for sharing her writing journey today…

 

 

Amy: When did you begin seriously writing with the intent of wanting to be published?

 

Christina: I wrote my first novel in 2008 while I was a local newspaper columnist. It was adult paranormal and pretty horrible, but great practice. Then I tried my hand at YA and began querying after I revised the heck out of my next novel.

 

 

Amy: Was ALL of YOU your first New Adult manuscript?

 

Christina: Yes. I had written three YA novels before that and was on my fourth. I had always been an avid reader of romance and an idea came to me about writing a virgin college guy named Bennett.

 

 

Amy: How laborious/frustrating was the query process for you?

 

Christina: Let’s be honest, querying is brutal. But it teaches you so much about rejection, which you experience on every single level in this business and in life. I was on sub to pub houses with two previous agents, one had who left the business. So you can still struggle even after you find an agent. And there’s no perfect rhyme or reason to it.

 

 

Amy: Publishing can be a very difficult business. What do you think has inspired you to keep writing through good times and bad?

 

Christina: Simple answer: My love of writing fiction. And that dream I had of being traditionally published someday. I was willing to tweak that dream quite honestly and would have, had I not found success with ALL OF YOU.

 

 

Amy: What was your call like with your agent, Sara Megibow?  How did you know she was the right fit for you?

 

Christina: It went really fast with Sara, just days from her reading my manuscript to the call. I knew she was the right fit for me because it immediately felt different–in my gut. It’s true that you do need to listen to your gut. If there are doubts, verbalize them immediately.

 

 

Amy: If you were giving a keynote speech at a writers conference, what would be the most important piece of advice you would share?

 

Christina: Do not compare yourself against other writers—it’s a hard lesson to learn, one I still struggle with. It’s better to compete with yourself—grow stronger and wiser and perfect your craft.

 

 

A little info on Christina’s latest, WHISPER TO ME:

 

 

 

 

Whisper To Me

 

 

 

A hot and consuming New Adult romance about a wayward musician and the one girl who keeps him grounded…

 

At college, Rachel has a reputation for being a sarcastic flirt with a thing for star athletes. No one at school knows that she’d had her heart ripped to shreds by her high school sweetheart, who’d driven them both off the side of the road on a borrowed motorcycle, and then abandoned her. No one knows the real Rachel Mattson—except one person…

 

Ever since he helped nurse his sister’s feisty best friend back to health, pierced bass player Kai Nakos has been head over heels in love. But the supposed bad boy can’t risk letting Rachel know the truth—especially now that the two of them are back in their hometown for the summer, together for the first time since the months following that fateful night. Never mind that Rachel’s ex is back, groveling for her forgiveness.

 

Shaken by her ex’s return, Rachel finds herself turning to the one guy she knows she can trust. Kai is willing to hide his feelings for her, just to have Rachel touch him again. After all, this is only a temporary fling. Until it becomes something more. But maybe it had been more all along.

 

 

 

Christina WOW

Mother, wife, reader, dreamer. Christina lives in the Midwest with her husband and son–her two favorite guys. She’s addicted to lip gloss and salted caramel everything. She believes in true love and kissing, so writing romance novels has become a dream job.  Author of the Between Breaths series from Penguin. ALL OF YOU, BEFORE YOU BREAK and WHISPER TO ME available now, PROMISE ME THIS on October 7th, 2014.

 

She is represented by Sara Megibow of The Nelson Literary Agency. Also the creator of Tags-n-Stones (dot com) jewelry. For more on Christina, check out her website, or follow her on Facebook or Twitter.

 

 

 

FIRST FIVE FRENZY with Rebecca Strauss of DeFiore and Company July 25, 2014

FFF SideWords

 

 

 

If you’re like me, you toil for hours editing and fine-tuning the first pages of your manuscript. You look at the first lines to make sure they are compelling and tight.  You examine the next few paragraphs, hoping your MC’s voice is already taking hold of the reader.

 

The First Five Frenzy is all about getting an agent’s perspective on what works, and what fails, in those first pages of a manuscript. By reading each agent’s comments, I hope you’ll learn how to make your manuscript a shining gem that will be requested time and time again.

 

Today, I am proud to share Literary Agent, Rebecca Strauss’ perspective on what’s important in those critical first pages.

 

Amy: Many writers have the impression that a great first line is imperative to drawing in the reader. How important is a first line to you as an agent?

 

Rebecca: The first lines of a manuscript are quite important.  As an agent, we are often overwhelmed with submissions; so, if our attention is not immediately grabbed, we move on.  That said, to be fair, I definitely give writers more than the first line to hook me.  But having strong opening pages is the key to pulling me into a story.

 

 

Amy: Many times a writer is told to stay away from common openings like dreams, eating breakfast, riding in a car, etc. What are some common openings you recommend writers stay away from?

 

Rebecca: Weather descriptions are often a turnoff for me.  Unless that weather is an integral part of the story (set in a hurricane/tornado/tsunami– or, the character has weather-related powers ;)), I don’t need to read descriptions of the sunset in the opening.  Also, I typically don’t respond to characters staring in the mirror in opening pages.

 

 

Amy: When you’ve responded to a writer to request a partial or full manuscript, what was it about their first pages that piqued your interest?

 

Rebecca: If I’ve responded to a submission, I’ve been drawn to the following: a strong voice, a fresh concept, and forward momentum in the story.  I also love a sense of humor– be it light and warm– or dark and edgy.  I want to feel desperate for more pages!

 

 

Amy: What are some common mistakes writers make in their first five pages?

 

Rebecca: A common mistake in opening pages can involve huge information dumps.  It takes skill to work in key information about the characters and setting in an organic way.  Information dumps can pull you out of the story and bore a reader.

 

 

Amy: What resonates with you most in those first pages? Voice? Pacing? Unique concept?

 

Rebecca: Can I say all of the above?  ;)  If I were to hone in on one of the indispensable elements, it would be voice.  I can work on the other elements, but voice is key.

 

 

Rebecca Strauss joined DeFiore and Co. in early 2013 after seven years at McIntosh & Otis, Inc. where she was an agent and Director of Subsidiary Rights. She represents: non-fiction, literary and commercial fiction, women’s fiction, urban fantasy, romance, mystery, and YA. Before joining M&O, Rebecca was a foreign rights associate at Trident Media Group, a book scout and development assistant at Sony Pictures and an Account Associate at Ketchum PR. She’s originally from Chapel Hill, North Carolina and earned her degree in English Literature from Duke University.

 

If you’re interested in submitting to Rebecca, please check the DeFiore and Co. website for their guidelines.

 

Secrets from The Contest Slush (Pile) July 24, 2014

Over the last two years, I’ve been asked to be a reader/judge in four online writing contests. Each time I’m asked to read the slush, I’m overwhelmed by the honor to read writers’ work. Just recently, I was asked to be a “Pyrotechnic” (my reader name due to the contest’s proximity to the Fourth of July holiday) for Michelle Hauck’s New Agent contest.

 

From the beginning it was amazing to watch the entries appear, and by the end there were 190 entries waiting for all of us to read. My first impression overall? Voice. These entries had it in spades. And the quality of writing was top-notch which made my job very difficult.

 

Here are some overall observations from the slush:

 

- Too high or low word counts. If you decide to write in a certain category and genre, be sure you know what is an acceptable word count. I often refer to the two links below to make sure my work is hitting the right numbers. Word count isn’t always hard and fast. There are exceptions, but as a writer you need to be aware of where your numbers fall.

 

Literary Agent Jennifer Laughran’s Wordcount Dracula: http://literaticat.blogspot.com/2011/05/wordcount-dracula.html

 

Writer’s Digest  Definitive Word Count Guide: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/word-count-for-novels-and-childrens-books-the-definitive-post

 

- Queries that read like a synopsis. A query should be no more than one page and hit on three topics (which I learned from an agent at a conference):

 

The hook: one sentence that explains your main character’s conflict

 

The book: A paragraph stating your character’s wants/needs/struggles and how he/she is going to conquer them

 

The cook: A short bio including relevant publishing/writing credits

 

One more note: The query should never include the ending. Your final line (the sinker) should leave your reader on a cliffhanger, enticing them to want to read more.

 

- Category issue: Fantasy

 

I saw numerous fantasy entries this time around. Many of them had great concepts, but I got lost in the query due to too much world building. Yes, it’s important to weave in elements of this cool new setting you’ve created, but it should not be the entirety of the query. As a reader what I want to know is character, conflict and cost with setting being a background element.

 

Trends:

 

This time around I saw a lot of:

 

- Alien invasion

 

- Living on other planets for centuries and then returning to Earth

 

- Bullies (in both MG & YA)

 

- Women’s Fiction (lots of broken down women trying to rebuild their life)

 

 

Overall, again I have to say, I was honored to read each and every entry. There is some incredible writing talent out there just waiting for an agent, or publisher, to discover them.

 

So here’s the moment you’ve been waiting for. My New Agent picks:

 

Oliver’s Ghost Machine – Upper MG Dark Fantasy

Encircled – YA Fantasy

The Long Walk Home – YA Horror

The Monster’s Den – Adult Literary

 

My Maybes:

 

The Great Pretender: MG Contemporary

The Hopping Dead: MG Sci-Fi

Steve & Austin – MG Adventure

The Other Kind of Normal – YA Contemporary

 

Many thanks again to everyone who entered the New Agent contest. It takes bravery to put your work out there. Like I’ve said before, publishing is very subjective. Because your entry was not selected DOES NOT mean it doesn’t have merit. Keep writing and querying and your time WILL come!

 

Good luck!

 

 

 

 

W.O.W. – Writer Odyssey Wednesday with Sarah Guillory July 23, 2014

WOW

 

 

 

Passion. As a writer it’s what drives us. Passion for the written word. For building a story that transports readers to another place and time. It’s also passion that allows us to focus on our dream of being published. In today’s W.O.W., featured author, Sarah Guillory, talks about passion and how as a teacher she encourages her students to find their passion, whatever it may be, and turn it into something that drives them. Great advice for any of us navigating the crazy world of publishing.

 

Many thanks to Sarah for sharing her writing odyssey today…

 

 

Amy: When did you first begin seriously writing with the intent of wanting to be published?

Sarah: I began writing seriously in the fall of 2009, though I’m not so sure I really believed I would be published. “Seriously” to me meant writing every day. I wrote my first novel over three months that fall, and it was the most exciting and exhilarating experience, but, to be honest, I think I always knew that book wasn’t “the one.” It was my practice novel. It wasn’t until I began revising my first draft of RECLAIMED (summer of 2011) that I realized how badly I wanted it to be published.

 

 

Amy: You currently teach high school English. Do your students inspire your story ideas?

Sarah: I get asked this question a lot, but they really don’t. My characters and their stories come to me through dreams, songs, newspaper articles, etc, but I’ve never had an idea or character come from a student. I’ve stolen a last name and an allergy from a student, but I’ve never had one be an inspiration for a character or idea.

 

 

Amy: One of the things I loved about RECLAIMED was the distinctive voices. Do you find it hard to write male POV?

Sarah: Thank you! The easy answer would be to say yes, but it’s not really the truth. I didn’t really have to work much on Luke’s voice – it came to me fully-formed. I struggled a bit with Ian’s, but honestly, Jenna’s voice was much harder to get right. But my current project also has both male and female POVs, and her voice was easier than his this time around.

 

 

Amy: How many manuscripts had you written prior to RECLAIMED? Was the query process long for you or did it go smoothly?

Sarah: I’d only written one other manuscript prior to RECLAIMED, and I only sent a few queries out. As I mentioned before, it never felt like “the one.” With RECLAIMED, I queried on and off for about a year, but sent queries out only one or two at a time. I know most people advise against that, but I researched agents extensively before sending it out, and research takes time. So I would send it out, do more research, and send more out a few months later. My query letters are never good, so I put it up in the forums at WriteonCon, which is where my editor at Spencer Hill found it. I got my agent, Marcy Posner, with my newest project, about three months after I began querying it.

 

 

Amy: Do you use beta readers or critique partners? If so, how instrumental are they to your writing process?

Sarah: I have the most amazing critique partners, but I found them late in the revising process for RECLAIMED. I’d already done several rounds of revisions on my own, no beta readers (other than family). They really helped tighten it up. With my newest project, I had two beta readers as well as my two critique partners. I never send them rough drafts, because my rough drafts are exceptionally rough. I do at least one round of revisions before I send it to them. They leave detailed inline notes and don’t let me get away with being sloppy or lazy AT ALL. I love that about them.

 

 

Amy: What can you tell me about your “call” with your agent, Marcy Posner? How did you know she was the right fit for you?

Sarah: My call with my agent is probably a little different, since I was sitting in the National Gallery of Art. We both had crazy schedules prior to the call, and I was out of town the next time we were both available, so I spent the morning looking at paintings, had a nice lunch (including a glass of wine to calm me down), and went upstairs to chat with her. But the phone call was a formality at that point. I knew Marcy was the right fit for me when she sent me her edit letter. She sent it to me prior to our phone call so we could discuss it when she called. It was an amazing letter – the parts she loved were the parts I loved, and the areas where she suggested work were places I knew needed attention. She spent an entire paragraph talking about punctuation, and she referenced both Faulkner and John Donne. This English teacher swooned.

 

 

Amy: Was there ever a time you thought about giving up on your writing dream? If so, what motivated you to keep writing?

Sarah: There was never a moment when I gave up on my writing dream, although there were a few times when I was frustrated and wondered if pursuing publication was worth the stress. But I knew I would never give up writing, because I couldn’t. I’d tried. I’d told myself for years I wasn’t talented enough to be a writer, and yet, even when I tried to do other things, I found myself stopping and writing from time to time. I couldn’t keep myself from writing. Scenes and sentences would float through my mind and I would hurry to scribble them down. When you’re a writer, you’re a WRITER – it’s what you do even when you know it might break your heart. But I am also very stubborn, so I continued to pursue publication, even on the days when it was hard.

 

 

Amy: I’m sure your writing success has inspired your students. What do you tell them about the ups and downs of publishing and pursuing their dreams?

Sarah: The one thing I want for all of my students is for them to be able to pursue their passions – whatever form they take – and I tell them that the only person who can stop you from pursuing those passions is you. I stood in my own way for a long time. But if it’s something you are passionate about, that will sustain you through the inevitable ups and downs. I did well in school, and I run marathons, and now I write books, and sometimes I can tell my students think it is because I am “good” at these things. I let them know up front that my life has less to do with talent and much more to do with hard work. I did well in school because I studied. I finish marathons because I train. And I write books because I sit down and write almost every day. I’m stubborn. I love books and reading and words more than almost anything – I always have. Books are my passion, and I will spend my life pursuing that passion. Stubbornness and love – that’s really what it comes down to.

 

 

 

 

 

 

reclaimed

 

 

 

 

Jenna Oliver doesn’t have time to get involved with one boy, let alone two.

 

All Jenna wants is to escape her evaporating small town and her alcoholic mother. She’s determined she’ll go to college and find a life that is wholly hers—one that isn’t tainted by her family’s past. But when the McAlister twins move to town and Jenna gets involved with both of them, she learns the life she planned may not be the one she gets.

 

Ian McAlister doesn’t want to start over; he wants to remember.

 

Ian can’t recall a single thing from the last three months—and he seems to be losing more memories every day. His family knows the truth, but no one will tell him what really happened before he lost his memory. When he meets Jenna, Ian believes that he can be normal again because she makes not remembering something he can handle.

 

The secret Ian can’t remember is the one Luke McAlister can’t forget.

 

Luke has always lived in the shadow of his twin brother until Jenna stumbles into his life. She sees past who he’s supposed to be, and her kiss brings back the spark that life stole. Even though Luke feels like his brother deserves her more, Luke can’t resist Jenna—which is the trigger that makes Ian’s memory return.

 

Jenna, Ian, & Luke are about to learn there are only so many secrets you can keep before the truth comes to reclaim you.

 

 

Available for purchase via Amazon, Barnes & Noble, and other book retailers.

 

 

SarahGSarah Guillory has always loved words and had a passion for literature.  When she’s not reading or writing, Sarah runs marathons, which she credits with keeping her at least partially sane.  Sarah teaches high school English and lives in Louisiana with her husband and their bloodhound, Gus. Her debut novel, Reclaimed, recently won a Silver Independent Publishers Award and is a finalist for the 2013 Foreword Book of the Year.

Website: www.sarahguillory.com

Blog: http://sarahguillory.blogspot.com/

Twitter: @sguillory262

Tumblr: http://sarahguillory.tumblr.com/

 

 

QUERY 101 SERIES : Handling the “Call” – Guest Post from Literary Agent Pooja Menon July 18, 2014

Query 101B

 

Finally, the queries are sent. You wait and wait for replies, and then one day your email pings with a request. You shoot the full manuscript out to the requesting agent, and then you wait (and sometimes wait and wait again) until you get the dreaded rejection OR the lovely email titled, “Can we talk?”

 

First, if this happens, it’s okay to freak out a little. Do a “Muppet Flail” and perhaps even a little booty shake. You’ve worked very hard to get to this point and you’ve earned a victory shimmy. But once the adrenaline finishes pumping out of your system, you have to take a deep breath and think, “What do I do next? Should I ask about revisions? Or what about the next book I’m writing?” All good questions, but there are a myriad of other things you need to think about before that important call.

 

Today, I’ve asked Literary Agent, Pooja Menon of Kimberley Cameron and Associates, to share what she thinks are important things a writer should ponder and ask about during their “call.”

 

 

 

 “The Call”

By Pooja Menon

 

 

Writing a book is not an easy business. Anyone who tells you it is or should be doesn’t really have a clue about what goes into writing a full length book. Coming up with an original plot, fleshing out characters that are relatable and unique, minding the pacing, creating plot twists…phew! It’s definitely a labor of love, sweat and tears. And then you have the querying process. Another episode of nail biting stress, tears, and ultimately, when that offer comes into your inbox wrapped in a shiny red bow: extreme happiness! You deserve this moment, so does your baby. All of this leads to the ultimate moment of reckoning: THE CALL. This is the moment when you decide if the offer you’ve received is the best option for you and your baby. This is also that moment where, before you get on the train that never stops–revising, going out on submission, getting a deal, getting published, etc–where sometimes you feel like things are slipping out of your hands, YOU have the power to decide the next step. Sometimes you might have one offer, and sometimes you might have multiple offers and deciding among all the offers you receive can be a tense, brain-cramping experience. But it’s also such an exhilarating one.

 

So what makes the call so important (and nerve-wracking)? It’s the conversation that determines whether you and the agent ‘click’. The space where you and the agent can really get to know each other. Considering the agent-author relationship is usually a long-term business relationship, it’s so important to be able to connect with each other as people and as business partners with the same vision and outlook, the same work ethic. It’s a relationship in which you might find yourself having to do uncomfortable things (such as revise and get critiqued), where you’re going to have to trust someone else’s opinion on what is best for the work you’ve worked so hard on. None of this is easy. But, if you really invest in the call to get to know your prospective agent, then this process can actually be an enjoyable one. Having that one person fighting in your corner for your project, that one person with whom you can discuss your worries about your work, about the whole publishing process in general, someone to watch your back and make sure you get the best deal possible, who is equally invested in the success of your book: it can be such a positive, strengthening experience in what is mostly a lonely profession that can at times move as fast as lightening or as slow as a tortoise.

 

SO, how can the whole experience be made easier? Well, here are somethings to think about:

 

1) Research the agent/agents who’ve offered you representation. Read their website pages, blogs, interviews, find out what they’re looking for, what they’ve sold, who they represent, how comfortable or connected you feel to the way they come off to you from all of the above (trust your intuition!). Do you feel positive?

 

2) Look to see what questions they’ve already answered from all of the above places before you craft your questions. If an agent has already answered a question dozens of times during an interview or blog post, asking them the same thing is a waste of time, especially when you can use that time to ask other, more pressing questions. Also, we agents really appreciate authors who’ve made the effort to research our interests.

 

3) This is a call to talk about your work, so take a deep breath, find your enthusiasm, and dive into it. Agents are people just like you. Keep your nervousness aside, they want to talk to you about your book, the book they loved so much they want to work with you on it. This is a good space to find out what they loved about your work, and which areas they thought needed work. It is important not to make this call session sound like an inquisition or a grill session. That is uncomfortable and somewhat unnatural (to me). I want to get to know you as a person and an author. And I’m open to any questions you might have, but try as best as you can not to make an agent feel like she’s taking the stand :).

 

4) No question is a dumb question, so don’t hold back or be shy about something you want to know. Most of us would rather you laid things out on the table upfront, before we get into a work relationship. It’s much harder and messier to deal with the discovery that the agent and author have different visions and expectations after we’ve signed together. So be upfront with the agent about your vision for the project. Also, find out what genres they do represent and don’t (if you can’t find this from your research). If you like to write across different genres, you want to be sure the agent represents them.

 

5) As agents, what we are looking for most in a prospective client are the following attributes: a friendly, upbeat attitude, someone who is respectful of our time, flexible, understands that sometimes there aren’t enough work hours in the day, so is patient for a response, someone who constantly challenges themselves with projects, tries to keep abreast of the market and what’s coming out and what has been overdone, has an interest in wanting to promote themselves on social media (if you don’t have social media pages, agents will definitely help you set things up, but it’s up to the author to do the actual legwork, that means authors who are willing to do whatever it takes to get their author profile out, to connect with prospective readers and fellow writers), and most importantly, someone who is willing to dive into revisions with a positive attitude.

 

On a daily basis, agents read tons of manuscripts as well as books outside of work. Having read so many, and having interacted with editors on a constant basis, we have a good idea of what works and doesn’t work in today’s market. So any advice we give will not only be a fresh, objective perspective, but it’ll also be one that takes all of the above things into consideration (trends, demand, editor wish lists, snappy writing, unique plot, etc). So it’s in the author’s best interest to hear us out and trust our judgement. Definitely, we want our authors to have their own opinions if they feel strongly about something. But be open and willing to talk about it respectfully and honestly, and be willing to listen and accept advice, because, at the end, we both have the same goal. To make the book the strongest it can be. So trust the agent to do her job, just as she trusts you as an author to do yours.

 

6) Be warm and enthusiastic on the phone. Sound interested. I know this is an odd point, and I haven’t had this experience many times. But a few times, when I’ve picked up the phone to talk to an author, the author’s tone has thrown me off. I understand such a disconnected or uninterested tone can be the outcome of nervousness. But this does more harm that good. Such a conversation space makes it very hard for the agent to be warm and upbeat and excited about the project if the person on the other end doesn’t mirror the same emotions. This is YOUR book, we expect you to be excited, we expect you to talk our ear off about your dreams and visions and projects. If what we get on the other line is the sound of chirping crickets whenever we stop talking, or a nonchalant reply to our questions, then to me that is a red flag. I want to look forward to talking to my clients. My authors and I work very closely, brainstorming ideas and edit notes, discussing the submission process, etc. We’re in touch a lot. If I’m going to feel that dreaded feeling in the pit of my stomach whenever I have to do these things with an author, that relationship is definitely not going to work out. In a lot of cases, YOU can chart the course and tone of how the relationship with your agent goes. So be mindful of that.

 

7) BE YOURSELF. I know this is simple advice and probably sounds silly. But no need to ‘put your best foot forward’ or ‘your best self forward’. You can’t consistently be your best self 24/7, neither can we.

 

8) Have realistic expectations about the publishing business. This is a business of passion and dreams. Of stories. At the same time, this is not an industry that moves all that fast, and sometimes that can be disappointing and frustrating, like beating your head against a wall. But have faith and be positive, and be willing to continue to put your 100% in your work and in your agent. Just as you’re working on your book, she’s working to get your book out there. There’s no point in being angry and dissatisfied by the pace of the industry, or the speed with which your agent works. Trust that she/he knows what they’re doing.

 

I’ve heard stories where authors get annoyed at their agents for not subbing to as many editors as they’d like, or to specific editors that they’d like. It is very claustrophobic for an agent to work in an atmosphere where the author is constantly questioning or second-guessing their choices or their work. Trust that they know who the best people are for your particular manuscript. By all means, if you have a dream editor, let your agent know, but do not email her weekly with editors you think she should query. She probably has a good reason for not subbing to too many agents at one time or subbing to only specific editors from specific houses. That is one aspect of our job, to know whom to submit to and where to submit to, so take a breath and focus on another project, keep your mind busy. Know that an agent can’t control the speed with which things in the industry moves, we can’t control the speed of editors’ responses or manipulate their tastes. It can become very easy to blame someone else for things like that. But be wary of that. The agenting community is a small one, and such an attitude can quickly be more alienating than helpful. Also, consider that an agent is juggling not just one client but many, and trying to find homes for not just one project but many. So be realistic about your expectations, and patient.

 

9) Lastly, at the end of the call, be pleasant. Thank the agent for calling. Just as you like to keep the phone feeling warm and fuzzy, we do too! :)

 

Some questions to consider asking during THE CALL:

 

1) What are the terms of the representation being offered? Is the agent interested in representing one book or is she looking for something long-term?

 

2) Once you sign together, what happens next? What is her submission process like?

 

3) Is there an author-agent agreement? Will you be spending money out of your pocket at any time-mailing, copies, faxes, phone calls, any other fees?

 

4) What happens if you want to terminate your relationship with your agent?

 

5) Once terminated, will you get back all the unsold rights for your projects?

 

6) Ask about the agent’s recent sales. If you’re talking to a new agent, find out if the agency she works for has a healthy amount of recent sales, if the agency is a reputable agency, what they represent, etc.

 

7) Who handles the film rights, foreign rights, and audio rights?

 

8) How often does the agent touch base with the author?

 

9) Does the agent prefer phone, email, or either mode is fine?

 

10) Does the agent let you know where and when she’s going to submit your work?

 

11) Will they forward rejections letters to you?

 

12) Does the agent consult the author before making decisions on the offers they receive? Does the agent make decisions on behalf of the client?

 

13) What is the process of receiving payments or royalties? Does the agent process it first and send it to the author, or does the author get their payment directly from the publisher? If the money is being sent to the agent first, how long will it take for the agent to send the author her checks?

 

14) How hands-on is the agent?

 

15) In terms of your own work, what editorial suggestions does the agent have? How close is the book to going out on sub?

 

16) Will the agent help with career planning? What about helping with publicizing your work (this is something an agent can definitely help you on by guiding you, but the main legwork has to be done by the author)?

 

17) What editors/publishers does the agent have in mind for the author’s book?

 

18) If you want to write in a different genre or category someday, what is the agent’s opinion on that?

 

19) What happens if the agent doesn’t like your next book?

 

Note: questions like: How long has the agent been an agent, how long have they been in publishing, is the agent listed in Publishers Marketplace, etc are all information you can most often find on their websites or by doing a bit of research. As agents, we all work differently. Best thing to do is to see which method of working is most comfortable to you, suits you most, and go with your intuition.

 

On an end note, don’t be nervous. Think of us as your best allies in this infuriatingly wonderful world of publishing. And remember, the reason we’re having this conversation in the first place is because we were simply blown away by your masterpiece :), and we want to work with you and represent the amazing author that you are. So, try and get to us know, like we want to get to know you.

 

PoojaPooja Menon joined Kimberley Cameron & Associates as an intern in the fall of 2011, with the aim of immersing herself in the elusive world of books and publishing. She soon realized that being an agent was what she was most drawn to as the job was varied and challenging. In the fall of 2012, she began taking on her own clients. As a relatively new agent, Pooja is looking to build her client list and is eager for submissions by debut novelists and veteran writers. She represents both Adult and YA fiction/non-fiction and select Middle Grade.

 

 

Chanel Cleeton on Creating Compelling NA Voice July 17, 2014

Recently my friend, and amazing author, Chanel Cleeton released LONDON FALLING, the follow-up to her debut, I SEE LONDON. This fun and flirty New Adult Contemporary is full of charm and swoony romance! In celebration of this release, I wanted to share again Chanel’s recent guest post on creating authentic NA voice. I think it touches on some important points, not only about the category, but writing in general.

 

 

Getting to a New Adult State of Mind

By Chanel Cleeton

 

 

 

Writing New Adult is all about capturing the spirit of being eighteen to twenty-six years old. This time in your life is a huge transitional period—you’re facing new adventures like finding your way in the world, starting a career, falling in love, and leaving home. New Adult is also about juggling the responsibilities of adulthood without having the experience or complete confidence you may need to face the challenges thrown your way. As a writer you want to convey this spirit to your readers—creating relatable characters and situations. I find that personal experience is one of the best tools you can utilize when writing New Adult.

 

 

For me, at twenty-eight, my New Adult years are a very recent memory. I draw a lot on personal experiences and my friends’ experiences. I find that this brings authenticity to my characters. For example, in one of the scenes in I SEE LONDON, my heroine talks about changing the assigned ringtone for a certain guy in her cell phone so she’ll know when he calls. It’s a little thing but something I totally did when I was single. I’ve had readers comment on it because they’ve done the same. Putting realistic details and emotions in your book goes a long way to connecting with your readers and making your characters authentic.

 

 

If you’re interested in writing New Adult, real life is a great source of inspiration. Even if your New Adult years were a while ago, still think back and remember how you felt during those years. Think about the challenges you faced, adventures you had, and changes you went through. Think of pieces of your past and experiences that you can put into your characters. If you’re around teens or twentysomethings, they are also a wonderful resource.

 

 

Another step to adopting a New Adult mindset is to read widely within the category. Books like Easy by Tammara Webber, Beautiful Disaster by Jamie McGuire, Losing It by Cora Carmack, and Wait for You by Jennifer Armentrout, writing as J. Lynn, are all staples. Reading these books will give you a sense of the category’s origins. That said—New Adult isn’t just about contemporary romance. The category is developing and evolving over time and the New Adult spirit is prevalent whether you’re writing dystopian or contemporary.

 

 

Popular culture can also be an excellent inspiration for writing New Adult. Shows like Girls, Felicity, Vanderpump Rules, Ugly Betty, later seasons of Gossip Girl, Veronica Mars, and One Tree Hill, are all representative of the New Adult spirit. Movies like 21, Pitch Perfect, Legally Blonde, and The Social Network also depict the challenges and adventures of life as a twentysomething. Magazines like Cosmopolitan and Glamour are also great resources—especially the sections that include reader input.

 

 

Honestly, writing New Adult can be challenging and a little scary. As a writer, it can push you outside of your comfort zone. The current market is pretty sexy. That doesn’t mean you have to write steamy New Adult stories—I firmly believe that there is room for all heat levels. If you want to—great. If you’re uncomfortable—find what works for you. I wrote Young Adult before switching to New Adult and it was a challenge for me to feel comfortable writing sexy scenes that weren’t the fade-to-black that we so often see in younger stories. But in my case, an increased heat level fit my characters, and I went for it because it was the best thing for the story. That said, it’s still not as hot as some New Adult books and that’s okay.

 

 

 

London Falling

 

 

 

Maggie Carpenter walked away from the hottest encounter of her life when she left the seductive glitz of England for summer break in her South Carolina hometown. Now that she’s returned to the International School in London—and sexy, privileged Samir Khouri is once again close enough to touch—she can’t help but remember the attraction, the drama … the heartbreak.

 

She can’t help but want him even more.

 

Samir can’t afford to fall for someone so far removed from his world, not when his time in London is running out. It’s his senior year—his last chance at freedom before he returns home to Lebanon. There, he’ll be expected to follow in his father’s footsteps—not follow his heart to Maggie. But when a scorching secret hookup becomes a temptation neither can resist, they’ll both have to fight to survive the consequences … and find a future together.

 

Available now for purchase via Amazon, Barnes & Noble, Books-A-Million and iBooks.

 

 

ChanelOriginally a Florida girl, CHANEL CLEETON moved to London where she received a bachelor’s degree from Richmond, The American International University in London and a master’s degree from the London School of Economics and Political Science. Chanel fell in love with London and planned to stay there forever, until fate intervened on a Caribbean cruise, and an American fighter pilot with smooth dance moves swept her off her feet. Now, a happily ever after later, Chanel is living her next adventure in South Korea.

Law school made Chanel realize she’d rather spend her days writing sexy stories than in a courtroom, and she hasn’t looked back since. An avid reader and hopeless romantic, she’s happiest curled up with a book. She has a weakness for handbags, her three pups, and her fighter pilot husband. Chanel writes New Adult contemporary romances and thrillers.

 

She is the author of I SEE LONDON and LONDON FALLING, published by Harlequin HQN, and FLIRTING WITH SCANDAL, the first book in a new NA series to be released by Berkley in 2015.

 

Monday Musings: Blogging – Helping or Hurting Your Writing? July 14, 2014

Filed under: Blog,Publishing,writing craft — chasingthecrazies @ 6:56 am
Tags: , , ,

Over two and a half years ago I wrote my first entry for this blog, and last Friday I published my 350th post! I’ve said this before, but I had no idea what I was doing when I first started. I’d read somewhere that as a writer you needed to build a social media platform, so I googled blogs, WordPress came up, and I dove in.

 

When I look back on those first posts, I cringe (I really was clueless about blogging), but with every new entry my confidence grew and my writing improved. Yet when I started on my third manuscript, took on an editorial internship, and agreed to beta read for several writers, I found myself regretting my commitment to blogging three days a week. How could I fit it all in? Out of all my commitments, which was most important?

 

The truth is you have to decide what you want to get out of blogging. If you only write posts because you want to build your exposure, then in my opinion, it’s not worth it. Coming up with solid content, and sharing new ideas every week, takes a lot of work. Struggling to post something new is not only a waste of your time, but eventually your lackluster love for your blog will show in what you publish.

 

For me, I continue to blog because I feel it improves my writing. Each week I tackle new topics and try to push myself to find something important to say about writing and/or publishing. When I share a new Writer Odyssey Wednesday or First Five Frenzy, I’m not only providing information I hope will help writers, but I’m learning something new too. In August I’m starting a new series called, QUITE THE QUERY, posting successful queries from writers. My hope is this new series will inspire writers to create a successful query of their own, but I know by sharing each of the entries, I’ll also learn something valuable.

 

In the end, you need to decide how much of your time you want to commit to your overall writing. If you can’t write a new manuscript, revise, and CP, all while maintaining a healthy blog that is okay. The important thing to remember is blogging is a commitment, but it shouldn’t be something that overtakes your writing life. It’s all about balance and finding the right path for you.

 

In order to celebrate surpassing 350th blog posts, I’m giving away a copy of Leigh Bardugo’s RUIN and RISING and Maggie Stiefvater’s latest, SINNER!

 

GIVEAWAY IS OVER. WINNER WILL BE ANNOUNCED THURSDAY, JULY 17. THANK YOU TO EVERYONE WHO ENTERED!

 

 

 

350giveaway

 

 

 

To qualify for the drawing, share with me one of the most important lessons you’ve learned about writing in the last year. After leaving your comment, please include contact info (either email or Twitter handle).

 

Entry window will close at 12pm EST on Wednesday, July 16. Open to U.S. residents only.

 

Thank you for reading my blog! I appreciate each and every one of you!

 

 

 

 

 

 

 

 

 
Follow

Get every new post delivered to your Inbox.

Join 2,976 other followers